Note
Data license: CC BY-NC-SA 4.0 · Data source: Github · About: Summary report of items in the collection
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_:n960e54a51a2f4d7d9ded015bfd1444ddb10 | London: Thames & Hudson Ltd., 2003. First. Edited by Jose Ferez Kuri. Contains "Port of Entry Here is space-time painting" by Burroughs. First issue in wrappers. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1007 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1017 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1019 | Reprinted 2001. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb102 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1028 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1030 | 2nd Owl Book ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1031 | (An Owl Book) |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1040 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1042 | 1st Picador USA ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1051 | Staplebound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1053 | “An apparent piracy of the Hand-Job edition ...” [Shoaf 1] |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1054 | “... limited to 50 [numbered] copies bound in hand-made paper ...”—Colophon. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb106 | (Panther Science Fiction) |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1063 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1065 | 1st Arcade paperback ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb107 | Reprinted in 1969 and 1972 with different covers (per M&M), in 1978, and in 1982 (per Shoaf 1). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1074 | Two 8 1⁄2”x14” sheets, stapled once, folded twice. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb108 | 1978 printing: title misspelled as Nova Expresss on title page. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1082 | Hardbound in dustjacket, and softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1092 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1102 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1115 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1117 | Edited and with an Introduction by Oliver Harris. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1118 | 25th Anniversary ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1119 | “This new edition of Queer is based substantially on the same sources as the 1985 edition ...the most significant differences lie not in the text itself but in its presentation ... First, I have preserved a little more of the roughness in Burroughs’ manuscript, not making a number of very small corrections ... And second, as well as reediting and retitling the epilogue (now, ‘Two Years Later: Mexico City Return’), and re-creating the ‘Panama’ chapter (chapter 7), I have made a number of short insertions of material that was either previously unused or unavailable—roughly five hundred words in the notes and just over a thousand in the text.”—Introduction. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1128 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1139 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1149 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1151 | (A Flamingo Modern Classic) |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1152 | Reissued in 2001 with different cover. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1161 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1163 | 1st Evergreen ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb117 | 1st Evergreen ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1172 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1185 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1187 | Edited and with an Introduction by Oliver Harris. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1188 | “3rd rev. ed.” |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1189 | “A book of The Cut-Up Trilogy.”—Spine. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1190 | “This fourth [sic] edition includes everything published in the second edition while respecting the 1962 MS’s chapter divisions and restoring the cancelled chapter, entitled ‘Male Image Back In’ ... In the most visible change, this new edition also restores how material from the first edition appeared by putting back a thousand capital letters removed on the galleys in 1965.”—Introduction. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb12 | Buffalo, N.Y.: Intrepid Press, 1971. Softbound (no hardbound issued). First. Schottlaender G24. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1202 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1212 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1222 | Hardbound in dustjacket, and softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1235 | Hardbound in dustjacket. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1248 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1261 | Illustrated postcard. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1262 | Features one of the illustrations in the volume, by S. Clay Wilson. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1273 | [Distributed by Water Row Books?] |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1274 | Features one of the illustrations in the volume, by S. Clay Wilson. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1275 | Illustrated postcard on cream cardstock. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1286 | Pamphlet. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1288 | Features one of the illustrations in the volume, by George Condo. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb129 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1296 | Poster. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb131 | Edited and with an Introduction by Oliver Harris. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1310 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb132 | “1st rev. ed.” |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1323 | Softbound (no hardbound issued) |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1325 | (Collection du Starscrewer, 3) |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1326 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1327 | Originally published in The Starscrewer, No. 7 (1978) and No. 12 (1979). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1328 | French translation by Lucien Suel of Time of the Assassins, originally published in Crawdaddy in 1977 and 1978. (See Section C, below). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1329 | No equivalent English-language edition. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb133 | “A book of The Cut-Up Trilogy.”—Spine. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1338 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb134 | “Apart from giving the opening sections of each chapter their own titles, the roughly one hundred changes for this edition mainly correct typos or restore Burroughs’ punctuation (including his occasional use of double colons) and are conventionally based (i.e., supported by multiple manuscript witnesses). The notes detail key changes, comment on apparent errors and twilight zone cases and introduce the richest possible selection of archival material to reveal revisions over time and the intricacy of Burroughs’ working methods.”—Introduction. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1352 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1354 | 2nd ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1355 | Includes “Preface to the New Edition” by John Calder. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1364 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1366 | 1st Evergreen ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1375 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1385 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1395 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb14 | San Francisco, CA: RE/Search Publications, 2019. RE/Search #17. Contains interviews with Burroughs, Brion Gysin, Diane di Prima, John Giorno, and Gerald V. Casale. First. Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1411 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1413 | Edited and with an Introduction by Oliver Harris. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1414 | “2nd rev. ed.” |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1415 | “A book of The Cut-Up Trilogy.”—Spine. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1416 | “This edition ends by making choices ... cutting “the invisible generation” [sic] essay as an appendix of historical interest (key passages are referenced in the Notes; the full text is available elsewhere) and restoring the integration of Gysin’s calligraphy as the book’s great transcendent gesture.”—Introduction. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb143 | Folio broadside. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1431 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1433 | Translated into French by Mary Beach and Claude Pélieu. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1434 | No equivalent English-language edition. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1443 | Hardbound in dustjacket, and softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1445 | 1st British ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb145 | “... printed in silver ink. Only 80 copies were produced—less [sic] were distributed.” [Am Here 3] |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1454 | Softbound (no hardbound issued). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1464 | Broadside. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1466 | Limited to 200 copies. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1487 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1489 | (Modern Classic) |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1510 | Softbound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1512 | 1st paperback ed. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1524 | Staplebound. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1526 | Originally published in Univers, No. 10 (1977). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1527 | Translation and adaptation by Mary Beach of “To Talk for Joe” (published in Transatlantic Review, No. 60 (June 1977); see Section C below). |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1528 | No equivalent English-language edition. |
_:n960e54a51a2f4d7d9ded015bfd1444ddb1537 | Softbound (no hardbound issued). |
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