{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3180", "value": "\u201c\u2019Interzone\u2019 was the working title for ... Naked Lunch.\u201d\u2014Dustjacket."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3274", "value": "\u201ccover art collage derived from [3] paintings by William S. Burroughs\u201d \u2014Dustjacket."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3960", "value": "\u201cWith grateful acknowledgement [sic] of the kind cooperation of Robert H. Jackson, and for his aid in the publication of this book.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3371", "value": "\u201cWill Dennison chapters written by William Lee, Mike Ryko chapters by John Kerouac.\u201d\u2014p. [1]."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1607", "value": "\u201cWe take you back to 1924, and there, year by year, through the pages of the REVIEW,\u201d bring you back to 1938.\u201d\u2014p. 4."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3386", "value": "\u201cVarious cut-ups by William S. Burroughs courtesy of Ohio State University\u2019s Rare Books & Manuscripts Library and the New York Public Library\u2019s Henry W. and Albert A. Berg Collection of English and American Literature ...\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1119", "value": "\u201cThis new edition of Queer is based substantially on the same sources as the 1985 edition ...the most significant differences lie not in the text itself but in its presentation ... First, I have preserved a little more of the roughness in Burroughs\u2019 manuscript, not making a number of very small corrections ... And second, as well as reediting and retitling the epilogue (now, \u2018Two Years Later: Mexico City Return\u2019), and re-creating the \u2018Panama\u2019 chapter (chapter 7), I have made a number of short insertions of material that was either previously unused or unavailable\u2014roughly five hundred words in the notes and just over a thousand in the text.\u201d\u2014Introduction."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2678", "value": "\u201cThis new edition ... has been extensively rewritten and revised by the author.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1190", "value": "\u201cThis fourth [sic] edition includes everything published in the second edition while respecting the 1962 MS\u2019s  chapter divisions and restoring the cancelled chapter, entitled \u2018Male Image Back In\u2019 ... In the most visible change, this new edition also restores how material from the first edition appeared by putting back a thousand capital letters removed on the galleys in 1965.\u201d\u2014Introduction."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1416", "value": "\u201cThis edition ends by making choices ... cutting \u201cthe invisible generation\u201d [sic] essay as an appendix of historical interest (key passages are referenced in the Notes; the full text is available elsewhere) and restoring the integration of Gysin\u2019s calligraphy as the book\u2019s great transcendent gesture.\u201d\u2014Introduction."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3299", "value": "\u201cThis edition consists of 26 lettered copies. The photographs were reproduced from the original negatives and are the only prints that will be made from these negatives.\u201d\u2014Colophon."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2863", "value": "\u201cThis edition ... published on the 20th anniversary of the original appearance of The Naked Lunch, consists of 324 numbered copies in wrappers, 150 numbered copies signed by the author & bound in cloth & boards, & 26 lettered copies which are hors commerce [and signed by Burroughs, Patrick Reagh (the printer), and K. Anders (the illustrator)].\u201d\u2014[p. 45]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3099", "value": "\u201cThis constitutes the revised expanded edition advertised but never published by Olympia [Press].\u201d [Am Here 3]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3839", "value": "\u201cThis book was designed and printed by Dave L. Haselwood and James F. McIlroy ...\u201d\u2014Colophon."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3681", "value": "\u201cThere were probably less [sic] than 50 full sets distributed including a number of which went to libraries.\u201d [Shoaf 1 (quoting the publisher)]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb4187", "value": "\u201cThe text in this edition differs quite extensively from the Olympia first edition.\u201d [BeatBooks 65]  Includes, at beginning as \u201cIntroduction,\u201d \u201cDeposition: Testimony Concerning a Sickness\u201d [originally published in Evergreen Review, Vol. 4, No. 11 (January-February 1960); see Section C below] and, at end as \u201cAppendix,\u201d \u201cLetter from a Master Addict to Dangerous Drugs\u201d [originally published in The British Journal of Addiction, Vol. 53, No. 2 (January 1957); see Section C below]."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2662", "value": "\u201cThe t.p. says 1973, but publication was delayed by the London paper shortage. A re-working of Wild Boys material.\u201d [Miles]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb4267", "value": "\u201cThe sections entitled \u2018In a Strange Bed\u2019 and \u2018The Black Fruit\u2019 were written in collaboration with Michael Portman. The design on p. [183] is by Brion Gysin.\u201d\u2014[p. 4]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2681", "value": "\u201cThe publisher reports that when the first printing hardcover sold out, they were getting ready to do the fourth printing of the softcover. So the second printing of the hardcover is actually labeled \u201cfourth printing.\u201d There were some leftover dust jackets from the first printing, so those were used with the \u201cfourth printing\u201d until they ran out. The \u201cfourth printing\u201d hardcover was still available from the publisher as late as 2002 but without the dust jacket.\u201d [Shoaf 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb4241", "value": "\u201cThe original title of this book was The Johnson Family.\u201d\u2014Prefatory note."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3287", "value": "\u201cThe lyrics for the song \u2018Pantopon Rose,\u2019 written in January 1995, are based on a real character ... She appears in several of Burroughs\u2019 books, including The Naked Lunch ...\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb249", "value": "\u201cThe first, and only, English-language edition in hardcover.\u201d [BeatBooks 65]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2977", "value": "\u201cThe first collection of cut-ups.\u201d [BeatBooks 65]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3851", "value": "\u201cThe author wishes to thank Alan E. Norse, upon whose book The Bladerunner, characters and situations in this book are based.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3001", "value": "\u201cThe Streets of Chance is a complete story found in the 1968 version [of The Soft Machine] and nowhere else. On 30 January 1981, Mr. Burroughs oversaw revisions of the text by James Grauerholz and Steve Miller, and this is that version.\u201d\u2014Colophon."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3989", "value": "\u201cThe Cat Inside, in different form, was published in a limited edition of 133 copies by The Grenfell Press in 1986, with eight illustrations by Brion Gysin, including those that appear on the cover, title page, and endpapers of this edition.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3402", "value": "\u201cThe 1953 letters were ... [originally] published in Big Table [No. 2 (Summer 1959)] and [No. 3 (1961)]. Burroughs\u2019 1960 letter was in [The] Floating Bear No. 5 [(1961)]. \u2018I am Dying, Meester?\u2019 was in City Lights Journal No. 1 [(1963)].\u201d\u2014T.p. verso. (See Section C below)"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb629", "value": "\u201cTaiwan piracy of Grove Press first edition, smaller in both height and width than the Grove edition and thinner as well, but having the same dust jacket design, printed on cheap paper, some copies with Taiwan Booksellers\u2019 stamp on rear leaf.\u201d [Shoaf 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3930", "value": "\u201cSpeech delivered 1980 at the occasion of the Institute of Ecotechnics\u2019 \u20181980 Planet Earth Conference\u2019 in Aix-en-Provence.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3564", "value": "\u201cSome copies ... released ... with the spines not stapled.\u201d [Shoaf 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2978", "value": "\u201cSome [early] copies were issued with a white wraparound band ...\u201d [M&M]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3164", "value": "\u201cShort text concerning the anti-gay Proposition 6 in the U.S., reprinted here in an abridged form in response to  the Tories\u2019 homophobic Clause 27 (which later became Clause 28).\u201d [BeatBooks 51]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2437", "value": "\u201cSecond printing.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3596", "value": "\u201cReproduces the contents of the first edition, though in slightly different order, and leaving out p. 9 of the original.\u201d [BeatBooks 51]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb218", "value": "\u201cReprinted from Mayfair magazine [Vol. 3, No. 1 (January 1968); See Section C below] as a free public service.\u201d\u2014Back cover."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3439", "value": "\u201cRedux makes a large number of changes and corrections\u2014around 250\u2014most of which are small ... the  Appendix section ... include[s] previously unpublished primary materials ...\u201d\u2014pp. xlvii-xlviii."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3800", "value": "\u201cPrinted in an edition of 2,000 copies with a limited edition of 100 [numbered/lettered and] wrapt [sic] in a  color jacket, 26 of them signed and numbered [i.e., lettered] by the author.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1608", "value": "\u201cPersonal Magnetism.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2767", "value": "\u201cPart of this transcript [the first] appeared in Les Langues Modernes, Paris, 1965, with an introduction by Pierre Dommergues.\u201d\u2014p. 2."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3944", "value": "\u201cOriginally published in Great Britain under the title The Adding Machine: Collected Essays.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2436", "value": "\u201cNumber One.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2414", "value": "\u201cNumber One.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2802", "value": "\u201cMaterial on cut-ups, fold-ins, tape recorder experiments, and film. Originally conceived in the Chelsea Hotel in 1964-65 ...\u201d [BeatBooks 65]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3472", "value": "\u201cLetter from a Master Addict to Dangerous Drugs.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2614", "value": "\u201cLater printings of this edition had the Grove Press/Evergreen Black Cat publisher\u2019s design and number (B-370) ...\u201d [M&M]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3450", "value": "\u201cIssued simultaneously bound in [or tipped in] to The Spero, Vol. 1, No. 1 [(1965); See Section C below], and in unfolded state.\u201d [Am Here 3]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3911", "value": "\u201cIncluding complete texts from White Subway, Cobblestone Gardens, and The Retreat Diaries ... Also included are essays on Burroughs by Alan Ansen [\u201cWhoever Can Pick Up a Frying Pan Owns Death\u201d] and Paul Bowles [\u201cBurroughs in Tangier\u201d], and facsimile pages from the famous cut-up scrapbooks of the mid-century: The Book of Hours, John Brady\u2019s Book, and The Old Farmer\u2019s Almanac.\u201d\u2014Dustjacket."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2394", "value": "\u201cIf 10 or 20 copies did exist [as Fuck You Press publisher Ed Sanders claimed], far fewer have been accounted for.\u201d [Skyline]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2943", "value": "\u201cGrateful acknowledgment is made for use of a portion of \u2018The Too Fat Polka\u2019 by Ross MacLean and Arthur Richardson.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3461", "value": "\u201cFrom Naked Lunch, Book III: In Search of Yage.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3631", "value": "\u201cFor the protection of the reader, we have inserted occasional parenthetical notes [i.e., bracketed editor\u2019s notes] to indicate where the author clearly departs from accepted medical fact or makes other statements in an effort to justify his actions.\u201d\u2014Publisher\u2019s Note."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb204", "value": "\u201cFor further information contact Scientology East, 122 76th St.\u201d\u2014Back cover."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3198", "value": "\u201cFirst published in 1991 as a limited edition by the Library Fellows of the Whitney Museum of American Art.\u201d\u2014T.p. verso."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb4189", "value": "\u201cFirst issue jacket [printed] with no zip code on rear panel and no roman [sic] numerals on lower spine near back panel.\u201d [PBA 327]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2416", "value": "\u201cFirst Burroughs-approved edition.\u201d [PBA 198]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb4175", "value": "\u201cFirst American edition, extensively revised and augmented with reproductions of police photographs, and more exacting film directions.\u201d [Ursus]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1606", "value": "\u201cFifteenth anniversary of the John Burroughs School [St. Louis, MO].\u201d\u2014[p. 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1609", "value": "\u201cFebruary, 1929\u201d\u2014p. 45."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb203", "value": "\u201cExcerpted from Mayfair magazine [Vol. 3, No. 1 (January 1968); See Section C below] as a free public service.\u201d\u2014Inside back cover."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3597", "value": "\u201cEstimates are that only about 100 copies were actually distributed.\u201d [Shoaf 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3333", "value": "\u201cDustjacket reproduces an Ian Sommerville photo-collage of Burroughs\u2019 Olympia Press editions.\u201d [BeatBooks 51]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3332", "value": "\u201cDead Fingers Talk is not a book of selections but a new novel constructed out of these three earlier books [The Naked Lunch, The Soft Machine, and The Ticket That Exploded] together with some new material.\u201d\u2014Dustjacket."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb959", "value": "\u201cColophon notes \u2018limited to only 50 copies,\u2019 but less [sic] than 10 were actually printed.\u201d [Shoaf 2]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3471", "value": "\u201cApproximately fifty copies or less were off-printed for the use of the author at his request.\u201d [Am Here 4]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb305", "value": "\u201cApart from making just over a hundred small corrections or changes, this present edition adds to Junky approximately the same amount of new material (around four thousand words) as Junky added to Junkie, but the way it does is, and had to be, quite different.\u201d\u2014Introduction."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb134", "value": "\u201cApart from giving the opening sections of each chapter their own titles, the roughly one hundred changes for this edition mainly correct typos or restore Burroughs\u2019 punctuation (including his occasional use of double colons) and are conventionally based (i.e., supported by multiple manuscript witnesses). The notes detail key changes, comment on apparent errors and twilight zone cases and introduce the richest possible selection of archival material to reveal revisions over time and the intricacy of Burroughs\u2019 working methods.\u201d\u2014Introduction."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb957", "value": "\u201cAn apparent piracy of the Pequod edition, printed on bond and bound in ... handmade paper but really just a photocopy of the original work.\u201d [Shoaf 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1053", "value": "\u201cAn apparent piracy of the Hand-Job edition ...\u201d [Shoaf 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3784", "value": "\u201cAlthough the colophon calls for ... [the hardbound ed.] ... to be numbered, we don't believe any copies  actually were.\u201d [Skyline]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2680", "value": "\u201cAll copies of the signed limited edition were issued in dustjackets with the upper left-hand corner clipped off since the printed price was correct only for the hardbound trade edition and incorrect for the limited edition. They were clipped and sold at a higher price.\u201d [Shoaf (eBay listing)]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2847", "value": "\u201cAh Pook Is Here was originally planned as a picture book modelled on the surviving Mayan codices. Malcolm McNeill [sic] was to do the illustrations, and I [Burroughs] was to provide the text ... However, owing partly to the expense of full-color reproduction, and because the book falls into neither the category of the conventional illustrated book nor that of a comix publication, there have been difficulties with the arrangements for the complete work ... Finally Malcolm McNeill [sic] and I have decided to publish the text without the artwork, still in hopes of seeing the eventual publication of this work that has been eight years in preparation.\u201d\u2014Preface."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3680", "value": "\u201cAccording to the publisher, a good many of the [LP] records were destroyed by heat, so not all copies of the book were accompanied by the record.\u201d [Skyline]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2728", "value": "\u201cA new edition containing the \u2018Ugh\u2019 correspondence [originally printed in the Times Literary Supplement No. 3,230 (23 January 1964); see Section C below].\u201d\u2014Cover."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3781", "value": "\u201cA more important book than one might first suppose.\u201d [Am Here 62]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3782", "value": "\u201cA mixture of autobiographical fiction about the author\u2019s youth and family in St. Louis and material drawn from Naked Lunch and The Wild Boys.\u201d [BeatBooks 51]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3179", "value": "\u201cA collection of previously unpublished short stories, routines, letters, and notebook entries, dating from the mid-50s, rediscovered among Allen Ginsberg\u2019s papers at Columbia University in 1984.\u201d [BeatBooks 51]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1415", "value": "\u201cA book of The Cut-Up Trilogy.\u201d\u2014Spine."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1189", "value": "\u201cA book of The Cut-Up Trilogy.\u201d\u2014Spine."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb133", "value": "\u201cA book of The Cut-Up Trilogy.\u201d\u2014Spine."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1541", "value": "\u201cA Tandem Book, T55\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb4174", "value": "\u201cA Richard Seaver book.\u201d\u2014T.p."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2778", "value": "\u201cA Dutch collection of Burroughs material. There is no English-language equivalent of this title.\u201d [Skyline]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3783", "value": "\u201c50 copies hand bound by Michael Scott Cain numbered and signed by the author.\u201d\u2014[p. 54]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1188", "value": "\u201c3rd rev. ed.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1414", "value": "\u201c2nd rev. ed.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb132", "value": "\u201c1st rev. ed.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2393", "value": "\u201c...aborted edition ... about 10 or 20 of which were distributed before the edition was abandoned.\u201d [Red House 4]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3354", "value": "\u201c... written by William Burroughs in Latin America during July and August 1953 ...\u201d - Introduction."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2864", "value": "\u201c... the softbound wraps edition did not begin with number \u20181\u2019 but rather with number \u2018151.\u2019 That is, after the run of the 150 signed hardbound copies.\u201d [Shoaf 2]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2865", "value": "\u201c... the first publication of the earliest known version of the Doctor Benway chapter from ...The Naked Lunch ...\u201d [Publisher\u2019s prospectus, below]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3582", "value": "\u201c... the November 30, 1962 issue of Time magazine, with the title \u2018India\u2019s Lost Illusions,\u2019 was apparently chosen by Burroughs for parody because that issue includes a savage review of Naked Lunch, as well as Burroughs\u2019 other Olympia Press works, in which Burroughs and other Beat writers are put down as frauds.\u201d [Shoaf 1]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2395", "value": "\u201c... that edition had hand-glued photographs to each copy ...\u201d [Am Here]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2866", "value": "\u201c... taken from the original manuscript which had been left in the possession of Alan Ansen in Venice in the late 1950s and rediscovered by him in 1973.\u201d [BeatBooks 65]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3870", "value": "\u201c... some of the earliest and hitherto uncollected & unpublished writings ... including a long \u2018Interzone\u2019 passage from NAKED LUNCH which did not appear in either the Olympia or Grove Press editions ...\u201d \u2014Publisher\u2019s catalogue."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb145", "value": "\u201c... printed in silver ink. Only 80 copies were produced\u2014less [sic] were distributed.\u201d [Am Here 3]"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2906", "value": "\u201c... printed at the Toothpaste Press for Bookslinger on the occasion of the author\u2019s reading at the Walker Art  Center, October 24, 1979.\u201d"}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb1054", "value": "\u201c... limited to 50 [numbered] copies bound in hand-made paper ...\u201d\u2014Colophon."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb3581", "value": "\u201c... first printing appears in 4 editions: 4 copies hors commerce; 10 copies numbered [sic] A-J, hardbound, each  containing an original [signed] manuscript page by Burroughs and an original [signed] drawing by Gysin, signed by both; 100 numbered and signed [by both] copies; 886 copies in a trade edition.\u201d\u2014T.p."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb747", "value": "\u201c... corrects numerous textual errors accumulated over the years. ... also incorporates Burroughs\u2019s own notes on the text, all the accompanying essays that he added to later editions [i.e., to editions later than the first, but preceding this edition], and ... an appendix of abundant, newly discovered material and alternate drafts from the original manuscript ...\u201d\u2014Dustjacket."}
{"id": "_:n960e54a51a2f4d7d9ded015bfd1444ddb2380", "value": "\u201c... collects all the Burroughs appearances in Ira Cohen\u2019s legendary magazine Gnaoua from 1964 ...\u201d [See Section C below]\u2014Jed Birmingham in Reality Studio, http://realitystudio.org/bibliographic-bunker/pry-yourself-loose-and-listen/ (accessed 24 Sept 2015)."}